"Strong, honest, and musically sincere" - Gordon Stout
This piece was originally written for marimba and soprano, but due to a couple reasons, it has been adapted for marimba and cello. First, of course, the shortage of marimba/cello duets in the world was just too much! And secondly, the composer had many specific requests to create a Song of ‘Almah instrumental version from friends and colleagues. Therefore, in order to tell the story, instrumentally, ‘Almah needed to be an instrument of beauty and expression, soothing in nature, that would compliment these aspects of the marimba. Needless to say, Beall found the cello to be this perfect fit, as it also seemed the most similar instrument to the human voice in range and emotion.
The text is taken from the Old Testament book, Song of Solomon, written c. 945 BC. King Solomon, known for writing over 3,000 proverbs and 1,005 songs, called this composition his Shir Hashirim – his most exquisite “Song of all Songs.” It is an incomparable celebration of romantic love in all aspects.
In the entirety of Solomon’s 700 marriages and 300 additional maid-servant relationships, his search for true love led him to one ‘almah, one young girl, one maiden, who captured his heart like no other. She is called a Shulamite, from the city of Shunem which was located southwest of the Sea of Galilee in Israel. The residents were descendents of Issachar, one of Jacob’s twelve sons, and they were known for their strength, humility, and desire to serve unconditionally.
From the Song of Solomon we learn that ‘Almah grew up with harsh brothers who forced her to labor in her family’s vineyards. She viewed herself as a common girl, like the common meadow flowers “a rose of Sharon” and “a lily of the valleys.” Yet, ‘Almah’s life changed forever when the most powerful ruler known to man fell deeply in love with her, making her his only beloved. Like a shepherd, Solomon gave her rest. Like an oasis, he gave her water and safety. Like an apple tree in the forest, he stood out broadly among men. Such are the beginning images in the Song that describe her new life with the king.
In Hebrew, 'Almah means “young girl, maiden, or damsel”. A variation on the word is the Hebrew musical term 'alamoth, which can be translated "soprano." So the Song of ‘Almah is the composer’s duet for marimba and 'alamoth. It was commissioned by Charles Beall, who also chose the Song of Solomon as the text. Although the Song of Solomon contains parts spoken by the King and parts by the Chorus (the Daughters of Jerusalem), the composer only selected key passages spoken by the beloved 'Almah.
Love's intensity ... love's heartbreak ... powerful physical attraction ... this is the Song of 'Almah… Mvt. I (Rose of Sharon) sample (Click Arrow to Play)
$25 - # 0624 - Diaz, Javier: Cinco Piezas para Marimba y Contrabajo (Five Pieces for Marimba and Double Bass) [12 min.] (includes two scores)
3 mvts for violin and vibraphone (Michelle Kim, violin, Joseph Pereira, Vibes)
"These three movements are based on the idea of the implied harmonies that lie within Bach's Violin Sonatas and Partitas. Here both instruments work out their own identities through many timbral effects, creating a sense of tension and ambiguity. Of special note is the new effect required for the vibraphone player-the use of harmonics, which sounds 2 octaves higher than written."
3 mvts for violin and vibraphone sample (Click Arrow to Play)
